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Yua: Henri Matisse and the Inner Arctic Spirit

Where: Heard Museum - Phoenix, AZ When: No longer on view. What: "Yua: Henri Matisse and the Inner Arctic Spirit explores the surprising and little-known story of how Inuit people and culture inspired one of the 20th century’s most influential artists, Henri Matisse. Included in the exhibition are works by Matisse that have not been publicly … Continue reading Yua: Henri Matisse and the Inner Arctic Spirit →

arted2018 Past Exhibitions Leave a comment November 9, 2018March 26, 2019 1 Minute

Transformer: Native Art in Light and Sound

Where: National Museum of the American Indian - New York, NY When: November 10, 2017 - January 6, 2019. *No longer on view. What: "Transformer: Native Art in Light and Sound presents the work of ten artists who use light, digital projection, and experimental media to reflect on their place in and between traditional and … Continue reading Transformer: Native Art in Light and Sound →

arted2018 Past Exhibitions Leave a comment November 6, 2018March 26, 2019 1 Minute

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Image Gallery

Alison Marks, Bearmoji. Image courtesy of the Anchorage Museum, www.anchoragemuseum.org

Blessed Be:Mysticism, Spirituality, and the Occult in Contemporary Art – exhibition view. Image courtesy of www.moca-tucson.org.

Okvik Madonna by Barry McWayne. Image courtesy of University of Alaska, Museum of the North, www.uaf.edu.

Lines in the Sand – exhibition View, Photo by Lance Gerber. Image courtesy of Palm Springs Art Museum, www.psmuseum.org

Jessica Garrett, Gleaming Dawn, oil, 8 x 10. Image courtesy of The Brinton Museum, www.thebrintonmuseum.org.

Frontlet, ca. 1840–1870, Tsimshian or Coast Tsimshian, Northern British Columbia mainland and islands. Maple, paint and abalone, 8 3/4 x 8 x 8 1/2 in. Fenimore Art Museum, Cooperstown, New York. Loan from Eugene V. and Clare E. Thaw, Thaw Collection. Image courtesy of www.mwpai.org.

Native American Art: Art from the Collection – exhibition view. Image courtesy of the Mobile Museum of Art, www.mobilemuseumofart.com.

Joe Feddersen, Aggressive Attitude, 2018. Image Courtesy of Froelick Gallery; Photo by Rebekah Johnson.

Sonwai — Verma Nequatewa (Hopi, b. 1949), Bolo tie, 2016. Coral, turquoise, lapis lazuli, sugilite, wood, fossilized ivory, abalone, 18k gold. Collection of Quincalee Brown and James P. Simsarian. Image courtesy of www.heard.org.

Awa Tsireh (Alfonso Royal). Bird, ca 1930. Watercolor and black ink on paper, 14 1/6 x 11 1/16 in. Gift of Amelia Elizabeth White. Image courtesy of www.newarkmuseum.org

Wendy Red Star (Apsaalooke (Crow), born 1981). Alazchiiaahush / Many War Achievements / Plenty Coups, 2014, from the series 1880 Crow Peace Delegation. Pigment print on paper, from digitally reproduced and artist-manipulated photograph by C.M. (Charles Milton) Bell, National Anthropological Archives, Smithsonian Institution, 25 x 17 in. Brooklyn Museum; Elizabeth A. Sackler Center for Feminist Art, Gift of Loren G. Lipson, M.D. © Wendy Red Star. (Photo: Jonathan Dorado, Brooklyn Museum)

“No Free Ride” Natasha Smoke Santiago (Mohawk Nation), mixed media. Image courtesy of www.iroquoismuseum.org.

Jeffrey Gibson: This is the Day – exhibition View. Image courtesy of www.hamilton.edu

Woman’s Dress, ca. 1880-1900, Great Plains, Sioux. Hide, glass beads. Montclair Art Museum: Gift of Mrs. Henry Lang in memory of her mother, Mrs. Jasper R. Rand. Image courtesy of www.montclairartmuseum.org

Gertrude Svarny, And She Borrowed Her Husband’s Eagle Feather Cape. Image courtesy of www.anchoragemuseum.org

Wearing blanket (third-phase chief blanket; detail), ca. 1865. Navajo. Wool; weft-faced plain weave, interlocked and vertical-join tapestry weave, eccentric weft, 55 x 71 1/2 in. (139.7 x 181.6 cm). Fine Arts Museums of San Francisco, Gift of the Thomas W. Weisel Family Collection. Image courtesy of www.deyoung.famsf.org

“Comanche Motion” by Eric Tippeconnic. Acrylic on canvas. Image courtesy of www.thestoryoftexas.com

william cordova (b. 1971), untitled, 2016. Peruvian cacao on paper, 11 1/8 × 9 1/8 in. (28.3 × 23.2 cm). Collection of the artist; courtesy Sikkema Jenkins & Co., New York. Image courtesy of www.whitney.org.

Micqaela Jones-Crouch, Granddaughter’s Ride of Futility, 2012. Mixed media, 38 x 50 inches. Collection of the Nevada Museum of Art, Gift of the artist. Image courtesy of www.nevadaart.org

Shell Necklace, Mississippian period shell necklace with cutout and engraved spider, sun disk, and rattlesnake motifs. Image courtesy of www.mcclungmuseum.utk.edu

Gail Tremblay, Dreaming of Wild Foods, 2013, leader film, 16mm film, rayon cord, and metallic thread, courtesy the New York State Museum. Image courtesy of www.newpaltz.edu.

Maine Indian Gallery – gallery view. Image courtesy of www.umaine.edu

Bill Hensley (U.S., Chickasaw, b. 1978) Young Chickasaw Man, 2014. Acrylic on canvas, 60 x 48 in. Loan courtesy of Capital Assets, Inc. Image courtesy of www.ou.edu

Inuit Mask (Goose Landing). Image courtesy of www.vmfa.museum

Alexander Swiftwater McCarty (American Indian – Makah, b. 1975), Remember Where You Come From, 2017, monotype, stencils, water-based inks on BFK Rives paper, 8 x 20 inches, gift of Melanie Yazzie. Image courtesy of www.uwyo.edu

“When the Buffalo Came Back,” 2018 © John Isaiah Pepion. Image courtesy of www.centerofthewest.org.

To Honor the Plains Nations – exhibition view. Image courtesy of www.thebrintonmuseum.org

Dianne Wyatt, Beaver Wars, pastel, 14 x 24. Image courtesy of www.thebrintonmuseum.org.

Rick Bartow, Creation of Crow, 2014, acrylic on canvas, 36 x 48 in. Courtesy of the artist and Froelick Gallery, Portland, OR © Rick Bartow. www.theautry.org

Bentwood box, Northwest Coast, 1860–1880, Bent and painted cedar with inlaid shells, Southwest Museum of the American Indian Collection, Autry Museum. Image courtesy of www.theautry.org

Polychrome storage jar, Tesuque Pueblo, circa 1870–1880. Anonymous Gift. Southwest Museum of the American Indian Collection, Autry Museum. Image courtesy of www.theautry.org

Harry Fonseca (Maidu/Nisenan/Portuguese/Hawaiian, 1946-2006), Dance Land #2, ca. 1980, Acrylic paint and glitter on Masonite, Gift: Courtesy of Suzanne C. Wengel. Image courtesy of www.eiteljorg.org

Rolande Souliere: Form and Content – exhibition view. Image courtesy of www.iaia.edu.

Wiyopiyata: Lakota Images of the Contested West – exhibition view. Image courtesy of www.peabody.harvard.edu.

Hank Gobin,(Tulalip Snohomish) Northwest Design,1966, Casein on paper, MoCNA Collection. Image courtesy of www.iaia.edu.

Polychrome Owl Figurine, 1900. Image courtesy of www.miaclab.edu

Element III Tammy Garcia (Santa Clara, b. 1969) Circa 2007 Cast glass. Image courtesy of www.miaclab.edu

Autumn Time – Melanie Yazzie. Image courtesy of www.wheelwright.org.

Julie Buffalohead (Ponca), A Little Medicine and Magic, 2018. Oil paint on canvas; 52 x 72 in. Courtesy of Julie Buffalohead and Bockley Gallery.

Pablita Velarde (1918-2006), Heard Museum Billie Jane Baguley Library & Archives. Image courtesy of www.heard.org.

John Hoover (Unangan) 1919-2011 ‘Sun’ 1995, Bronze, edition 1/12. Bequest of Ann B. Ritt, 4690-39. Image courtesy of www.heard.org

Crown, 1978, from South America (possibly Jivaro of Ecuador), Gift of the Percy E. Coe Memorial Collection, Heard Museum Collection. Image courtesy of www.heard.org

Nez Perce artist. Shirt, about 1885. Leather, ermine, glass beads, and paint; 38 x 58 x 65 1/2 in. (sleeves extended). Denver Art Museum:Native Arts acquisition fund, 1940.26. Image courtesy of www.denverartmuseum.org

Allan Houser Chiricahua (Warm Springs) Apache, 1914-1994 Seeking Harmony, 1990 Bronze, edition 6 of 12 Bequest of Ann B. Ritt Conservation funded by grant from the Bank of America Art Conservation Project. Image courtesy of www.heard.org.

Awa Tsireh (Alfonso Roybal), San Ildefonso Pueblo, silver brooch, 1930s-1940s. Norman L. Sandfield Collection. Image courtesy of www.heard.org.

Muisca clay head, Colombia, A.D. 1200–1600. Clay, paint. Image courtesy of www.americanindian.si.edu

Lakota model baby carrier with porcupine-quill embroidery, North or South Dakota, ca. 1880. Photo by Walter Larrimore, NMAI. Image courtesy of www.americanindian.si.edu.

Kevin McKenzie, Father, Son, Holy Ghost, 2015 (detail). Cast polyurethane, acrylic, neon. Collection of the artist. Photo by Joshua Voda, NMAI. Image courtesy of www.americanindian.si.edu.

Northern Traditional Dancer, Terry Fiddler (Cheyenne River Sioux), National Museum of the American Indian National Powwow, 2007. Photograph by Katherine Fogden (Mohawk). Image courtesy of www.americanindian.si.edu

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