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Cultural Information

Information coming soon.

Thanks for your patience.

Best,

Dr. Kevin Slivka

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Archives

Exhibitions – Current – Past – Upcoming

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Alabama Alaska Amerind Museum Anchorage Anchorage Museum Animal Art Arizona Autry Museum of the American West Basketry Big Horn California Cambridge Chumash Colorado Contemporary Art Contemporary Film Cooperstown Denver Denver Art Museum Dragoon Eiteljorg Museum Experimental Art Fenimore Museum Fred Jones Jr. Museum of Art Heard Museum Hopi Illinois Indiana Indianapolis Indigenous Art Los Angeles Massachusetts Metalsmith Mid-American All-Indian Center Minneapolis Minneapolis Institute of Art Minnesota Mixed Media Modern Art Museum of Contemporary Native Arts Museum of Indian Arts and Culture Museum of the Southeast American Indian National Museum of the American Indian Native American Art Native American Film Native American Jewelry New Jersey New Mexico New York New York City Norman North Carolina Oklahoma Oklahoma City Oregon Painting Peabody Museum Pembroke Phoenix Photography Plains Indians Pottery Printmaking Riverside Santa Fe Sculpture South Dakota Texas Textile Arts The Brinton Museum Tucson Washington DC Wheelwright Museum Wichita Kansas Wyoming

Image Gallery

Alison Marks, Bearmoji. Image courtesy of the Anchorage Museum, www.anchoragemuseum.org
Blessed Be:Mysticism, Spirituality, and the Occult in Contemporary Art – exhibition view. Image courtesy of www.moca-tucson.org.
Okvik Madonna by Barry McWayne. Image courtesy of University of Alaska, Museum of the North, www.uaf.edu.
Lines in the Sand – exhibition View, Photo by Lance Gerber. Image courtesy of Palm Springs Art Museum, www.psmuseum.org
Jessica Garrett, Gleaming Dawn, oil, 8 x 10. Image courtesy of The Brinton Museum, www.thebrintonmuseum.org.
Frontlet, ca. 1840–1870, Tsimshian or Coast Tsimshian, Northern British Columbia mainland and islands. Maple, paint and abalone, 8 3/4 x 8 x 8 1/2 in. Fenimore Art Museum, Cooperstown, New York. Loan from Eugene V. and Clare E. Thaw, Thaw Collection. Image courtesy of www.mwpai.org. 
Native American Art: Art from the Collection – exhibition view. Image courtesy of the Mobile Museum of Art, www.mobilemuseumofart.com.
Joe Feddersen, Aggressive Attitude, 2018. Image Courtesy of Froelick Gallery; Photo by Rebekah Johnson.
Sonwai — Verma Nequatewa (Hopi, b. 1949), Bolo tie, 2016. Coral, turquoise, lapis lazuli, sugilite, wood, fossilized ivory, abalone, 18k gold. Collection of Quincalee Brown and James P. Simsarian. Image courtesy of www.heard.org. 
Awa Tsireh (Alfonso Royal). Bird, ca 1930. Watercolor and black ink on paper, 14 1/6 x 11 1/16 in. Gift of Amelia Elizabeth White. Image courtesy of www.newarkmuseum.org
Wendy Red Star (Apsaalooke (Crow), born 1981). Alazchiiaahush / Many War Achievements / Plenty Coups, 2014, from the series 1880 Crow Peace Delegation. Pigment print on paper, from digitally reproduced and artist-manipulated photograph by C.M. (Charles Milton) Bell, National Anthropological Archives, Smithsonian Institution, 25 x 17 in. Brooklyn Museum; Elizabeth A. Sackler Center for Feminist Art, Gift of Loren G. Lipson, M.D. © Wendy Red Star. (Photo: Jonathan Dorado, Brooklyn Museum) 
“No Free Ride”  Natasha Smoke Santiago (Mohawk Nation), mixed media. Image courtesy of www.iroquoismuseum.org. 
Jeffrey Gibson: This is the Day – exhibition View. Image courtesy of www.hamilton.edu
Woman’s Dress, ca. 1880-1900, Great Plains, Sioux. Hide, glass beads. Montclair Art Museum: Gift of Mrs. Henry Lang in memory of her mother, Mrs. Jasper R. Rand. Image courtesy of www.montclairartmuseum.org
Gertrude Svarny, And She Borrowed Her Husband’s Eagle Feather Cape. Image courtesy of www.anchoragemuseum.org
Wearing blanket (third-phase chief blanket; detail), ca. 1865. Navajo. Wool; weft-faced plain weave, interlocked and vertical-join tapestry weave, eccentric weft, 55 x 71 1/2 in. (139.7 x 181.6 cm). Fine Arts Museums of San Francisco, Gift of the Thomas W. Weisel Family Collection. Image courtesy of www.deyoung.famsf.org
“Comanche Motion” by Eric Tippeconnic. Acrylic on canvas. Image courtesy of www.thestoryoftexas.com
william cordova (b. 1971), untitled, 2016. Peruvian cacao on paper, 11 1/8 × 9 1/8 in. (28.3 × 23.2 cm). Collection of the artist; courtesy Sikkema Jenkins & Co., New York. Image courtesy of www.whitney.org. 
Micqaela Jones-Crouch, Granddaughter’s Ride of Futility, 2012. Mixed media, 38 x 50 inches. Collection of the Nevada Museum of Art, Gift of the artist. Image courtesy of www.nevadaart.org
Shell Necklace, Mississippian period shell necklace with cutout and engraved spider, sun disk, and rattlesnake motifs. Image courtesy of www.mcclungmuseum.utk.edu
Gail Tremblay, Dreaming of Wild Foods, 2013, leader film, 16mm film, rayon cord, and metallic thread, courtesy the New York State Museum. Image courtesy of www.newpaltz.edu. 
Maine Indian Gallery – gallery view. Image courtesy of www.umaine.edu
Bill Hensley (U.S., Chickasaw, b. 1978) Young Chickasaw Man, 2014. Acrylic on canvas, 60 x 48 in. Loan courtesy of Capital Assets, Inc. Image courtesy of www.ou.edu
Inuit Mask (Goose Landing). Image courtesy of www.vmfa.museum
Alexander Swiftwater McCarty (American Indian – Makah, b. 1975), Remember Where You Come From, 2017, monotype, stencils, water-based inks on BFK Rives paper, 8 x 20 inches, gift of Melanie Yazzie. Image courtesy of www.uwyo.edu
Southern Cloth Dress, Shawl and Purse Reverse View (Broadcloth, cotton, and satin). Custom Made for Ava Jo Boton.  © 2018 Phyllis Whitecloud. Image courtesy of www.doi.gov.
Dolls and Cradleboard. Mixed Media © 2018 Karis Jackson. Image courtesy of www.doi.gov. 
(A Time to) Pause and Reflect. Acrylic paint on canvas © 2018 Hillary Kempenich. Image courtesy of www.doi.gov.
“When the Buffalo Came Back,” 2018 © John Isaiah Pepion. Image courtesy of www.centerofthewest.org. 
Summer Night Lodge. Acrylic on Canvas © 2018 Allen Knows His Gun. Image courtesy of www.doi.gov. 
To Honor the Plains Nations – exhibition view. Image courtesy of www.thebrintonmuseum.org
Perseverance. Charcoal and beadwork on paper. © 2018 Mark Little Elk. Image courtesy of www.doi.gov. 
Dianne Wyatt, Beaver Wars, pastel, 14 x 24. Image courtesy of www.thebrintonmuseum.org. 
Rick Bartow, Creation of Crow, 2014, acrylic on canvas, 36 x 48 in. Courtesy of the artist and Froelick Gallery, Portland, OR © Rick Bartow. www.theautry.org
Bentwood box, Northwest Coast, 1860–1880, Bent and painted cedar with inlaid shells, Southwest Museum of the American Indian Collection, Autry Museum. Image courtesy of www.theautry.org
Polychrome storage jar, Tesuque Pueblo, circa 1870–1880. Anonymous Gift. Southwest Museum of the American Indian Collection, Autry Museum. Image courtesy of www.theautry.org
Harry Fonseca (Maidu/Nisenan/Portuguese/Hawaiian, 1946-2006), Dance Land #2, ca. 1980, Acrylic paint and glitter on Masonite, Gift: Courtesy of Suzanne C. Wengel. Image courtesy of www.eiteljorg.org
Rolande Souliere: Form and Content – exhibition view. Image courtesy of www.iaia.edu. 
Wiyopiyata: Lakota Images of the Contested West – exhibition view. Image courtesy of www.peabody.harvard.edu.
Hank Gobin,(Tulalip Snohomish) Northwest Design,1966, Casein on paper, MoCNA Collection. Image courtesy of www.iaia.edu.
Polychrome Owl Figurine, 1900. Image courtesy of www.miaclab.edu
Element III Tammy Garcia (Santa Clara, b. 1969) Circa 2007 Cast glass. Image courtesy of www.miaclab.edu 
Autumn Time – Melanie Yazzie. Image courtesy of www.wheelwright.org. 
Julie Buffalohead (Ponca), A Little Medicine and Magic, 2018. Oil paint on canvas; 52 x 72 in. Courtesy of Julie Buffalohead and Bockley Gallery.
Pablita Velarde (1918-2006), Heard Museum Billie Jane Baguley Library & Archives. Image courtesy of www.heard.org. 
John Hoover (Unangan) 1919-2011 ‘Sun’ 1995, Bronze, edition 1/12. Bequest of Ann B. Ritt, 4690-39. Image courtesy of www.heard.org
Crown, 1978, from South America (possibly Jivaro of Ecuador), Gift of the Percy E. Coe Memorial Collection, Heard Museum Collection. Image courtesy of www.heard.org
Nez Perce artist. Shirt, about 1885. Leather, ermine, glass beads, and paint; 38 x 58 x 65 1/2 in. (sleeves extended). Denver Art Museum:Native Arts acquisition fund, 1940.26. Image courtesy of www.denverartmuseum.org
Allan Houser Chiricahua (Warm Springs) Apache, 1914-1994 Seeking Harmony, 1990 Bronze, edition 6 of 12 Bequest of Ann B. Ritt Conservation funded by grant from the Bank of America Art Conservation Project. Image courtesy of www.heard.org. 
Awa Tsireh (Alfonso Roybal), San Ildefonso Pueblo, silver brooch, 1930s-1940s. Norman L. Sandfield Collection. Image courtesy of www.heard.org. 
Muisca clay head, Colombia, A.D. 1200–1600. Clay, paint. Image courtesy of www.americanindian.si.edu
Henri Matisse, White Mask on Black Background (Masque blanc sur fond noir) ©2018 Succession H. Matisse / Artists Rights Society (ARS), New York. Image courtesy of www.heard.org. 
T. C. Cannon (1946–1978, Caddo/Kiowa), Two Guns Arikara, 1974–77. Acrylic and oil on canvas. Anne Aberbach and Family, Paradise Valley, Arizona. © 2018 Estate of T. C. Cannon. Photo by Thosh Collins.
Lakota model baby carrier with porcupine-quill embroidery, North or South Dakota, ca. 1880. Photo by Walter Larrimore, NMAI. Image courtesy of www.americanindian.si.edu. 
Kevin McKenzie, Father, Son, Holy Ghost, 2015 (detail). Cast polyurethane, acrylic, neon. Collection of the artist. Photo by Joshua Voda, NMAI. Image courtesy of www.americanindian.si.edu. 
Northern Traditional Dancer, Terry Fiddler (Cheyenne River Sioux), National Museum of the American Indian National Powwow, 2007. Photograph by Katherine Fogden (Mohawk). Image courtesy of www.americanindian.si.edu
Jeffrey Veregge, Of Gods and Heroes (detail featuring Black Panther, Black Widow, Hulk, Thor, and Captain Marvel). © 2018 Marvel.
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